Posted October 16, 2014
Ah, isn’t this sweet – a cat fishing, a crow dancing. Um…wait. Enter the earthworm and things start to go terribly wrong. In the most delightfully animated way.
“Earthworm Heart” is the latest music video for the Tom Fun Orchestra, directed by Alasdair + Jock of Trunk.
Found via Little Black Book where there’s more info.
Posted April 30, 2014
LA-based LOOKEFFECTS breaks down their work on Wes Anderson’s latest film, Grand Budapest Hotel (so good).
Posted April 11, 2014
Vancouver-based The Embassy has just sent out a newsletter with their latest work – which includes working with Marvel Studios on Captain America Winter Soldier. The team at The Embassy created effects for a key scene featuring stars Chris Evans and Scarlett Johansson. The Embassy has previously collaborated with Marvel on all three Iron Man films.
The newsletter also features advertising projects for Hyundai, EA (For FIFA World Cup) and Rogers.
Posted April 1, 2014
Emmy-nominated flame artist Chris DeCristo joins Los Angeles-based digital production and design company Timber as Lead Flame.
DeCristo has amassed a broad body of work over his many years in production and VFX. DeCristo has freelanced for many of the top visual effects and design studios in Los Angeles before landing at Timber, including Superfad, Digital Domain, Method and Psyop. During that time he lent his talents to numerous advertising campaigns for a ton of top brands, including Sony, IBM, Hyundai, Kia, HP, Lexus, Bacardi and Nike. Many of those commercials went on to win VES awards.
Posted March 28, 2014
Nice. Some new work from PES. I love PES. And I love that this new film, commissioned by Italian designer Delfina Delettrez, is a little different from their past work, which often features everyday objects in unexpected situations.
The film, “Black Gold,” features insects that appear in Delettrez’s latest line of jewelry. You can view the collection here.
Posted November 12, 2013
SourceEcreative is presenting Presents tonight at the Revue Cinema in Roncesvalles. Doors open at 6:30, the screening starts at 7 and it’s licensed. Oh and it’s free and there are still about 40 tickets left – get yours here.
“Presents” compiles the very best work submitted to the SourceEcreative archive and includes films and promos from signed as well as unsigned directors. The films come from all corners of the globe – so expect to find some undiscovered gems. A sample of what to expect is packaged above.
The night is hosted by SourceEcreative’s Worldwide Editor Jamie Madge, and I’m told that it’s in two 30-minute sections with drinks before, in-between and after. “The screenings are rollercoaster rides though moving-image delights designed to inspire your creativity and entertain your socks off,” says Jamie. So maybe wear some tight socks.
See you tonight.
Posted October 22, 2013
You should never mix superpowers with peer pressure.
Here’s a super cute short by Andy Martin. This is the ninth animation from his ongoing illustration project “Handymartian’s Illustrated Aliens”. You can follow the progress of this project on his tumblr, where he’s uploading a new alien illustration every day, building up to a monthly illustration of their planet.
See more vids on his vimeo channel.
Posted October 11, 2013
“Mute” premiered at the Dutch Film Festival in the Golden Calf competition and was screened at the Anim’est festival in Bucarest.
Scooped from Little Black Book.
Posted September 17, 2013
How healthy are Canada’s waters? You may be surprised to learn that in many cases, we simply don’t know. It’s a critical knowledge gap — one that has driven WWF to work with experts to establish a clear and consistent way of measuring fresh water health: the Freshwater Health Assessment.
To raise awareness for the initiative, The Public Assembly’s director, designer and animator Hector Herrera created a grassroots feel webfilm in the style of a digital collage.
Posted August 20, 2013
Vancouver-based The Embassy creates the world of Kronos for ‘Percy Jackson: Sea of Monsters’ in 3D.
As the smoke clears from before the Oracle we venture through a panoply of gods, monsters and their monumental feats. The Embassy worked closely with director Thor Freudenthal and visual effects supervisor Dan Kaufman to present the film’s back-story in stylistic fashion, combining computer generated stained glass with a storybook aesthetic in stereoscopic 3D.